Tag Archives: Conversations

María Carla Sánchez, UNC Greensboro I beg a little indulgence, and an indirect path to explaining my titular ellipsis: I have been writing about three Mexican women who published poems in the newspaper El republicano during the early months of … Continue reading →

In early August, the Women’s Prize for Fiction and their corporate sponsor Baileys (yes, Baileys of Irish cream liqueur fame) launched the Reclaim Her Name project, “25 books previously published under male pen names, with the real female authors’ names … Continue reading →

Lois Brown, Arizona State University Acts of reclamation are often, at their core, heroic acts of intervention and inclusion.  They are motivated by the realities of implicit and explicit gatekeeping and the politics of inclusion that relegate some to the … Continue reading →

Mary Chapman, University of British Columbia The Reclaim Her Name project was a missed opportunity for public scholarship. Imagine what a group of Legacy readers could have come up with, had the Board of the Women’s Prize for Fiction (and … Continue reading →

Brigitte Fielder, University of Wisconsin-Madison As I consider the efficacy of the Reclaim Her Name project, I am interested in trying to understand the rhetoric of “reclaiming.” What does it mean to claim or reclaim an author’s name? Whose names … Continue reading →

Grace Lavery, University of California Berkeley The project aimed to mark the 25th year of the Women’s Prize for Fiction, highlight the challenges faced by female writers, past and present, and ignite a conversation as to the many reasons why … Continue reading →

Sandra Zagarell, Oberlin College Consider some of the propositions that inform the Reclaim Her Name project. One: “the author” is a singular, unified person with a “true” name. Two: that true name is a woman’s name, which she had to … Continue reading →

Christine “Xine” Yao, University College London #ReclaimHerName invites us to affectively participate in the triumph of rescuing benighted women authors from the grasp of an agèd patriarchal literary tradition that has forced them to toil under the false mask of … Continue reading →