Volume 37, No. 2 (2020)
Staging Enfleshment: Toward Lines of Flight in Harriet Wilson’s Our Nig; or, Sketches from the Life of a Free Black
Sam Plasencia, University of Illinois, Urbana-Champaign
Creeping in the Crevices: Geology and the Re-scaling of Women’s Mobility in Elizabeth Stoddard’s The Morgesons
Dalia Davoudi, Loyola University
Teaching to Resist, Teaching to Recover: Charlotte Forten’s Sea Islands Archives across Private and Public Forms
Mollie Barnes, University of South Carolina, Beaufort
Reprint
Two Stories by Barbara E. Pope
Eric Gardner, Sagniaw State Valley University
The Old and the New Order. A Story of Southern Life, Giving a Glimpse at the Trials of the Educated Colored Man and the Conservatism of Prejudice–in Three Chapters
Barbara E. Pope
Truth versus Hypocrisy
Barbara E. Pope
Forum: The Nineteenth Amendment Centennial and the Politics of Memorialization: Literary Engagements in Public Storytelling
Introduction
Jen McDaneld, University of Portland
Suffragism beyond Suffrage
Katherine Adams, Tulane University
“An Army of Organized Women”: Race, Place, and the Politics of Suffrage in America
Lois Brown, Arizona State University
Suffrage Elimination Dance
Mary Chapman, University of British Columbia
Hidden Histories and the History of Ambivalence
Jean Lee Cole, Loyola University Maryland
Lessons from the Superwoman: Miriam Michelson’s Literary Activism
Lori Harrison-Kahan, Boston College
Laura Curtis Bullard and Women’s Rights Literature
Denise Kohn, Baldwin Wallace University
Woman Suffrage in the American West: Emma Ghent Curtis’s The Administratrix
Victoria Lamont, University of Waterloo
Frances E. W. Harper, A Model Citizen Who Couldn’t Vote
Koritha Mitchell, Ohio State University
The Suffrage Centennial and Reading Black Feminisms
Teresa Zackodnik, University of Alberta
Reviews
Stripped and Script: Loyalist Women of the American Revolution, by Kacy Dowd Tillman
Maria O’Malley, University of Nebraska at Kearney
Reading for Reform: The Social Work of Literature in the Progressive Era, by Laura R. Fisher
Jesse Raber, University of Illinois at Chicago
Chromographia: American Literature and the Modernization of Color, by Nicholas Gaskill
Deborah M. Mix, Ball State University
American Literary History and the Turn toward Modernity, edited by Melanie V. Dawson and Meredith Goldsmith
Michael Sacks, University of Miami
The Superwoman and Other Writings by Miriam Michelson, edited by Lori Harrison-Kahan
Candi S. Carter Olson, Utah State University
Selected Poems of Edith Wharton, edited by Irene Goldman-Price
Betsy Currier Beacom, Southern Connecticut State University
Remembering Lucile: A Virginia Family’s Rise from Slavery and a Legacy Forged a Mile High, by Polly E. Bugros McLean
Autumn Womack, Princeton University
Putting Them on the Map: Mapping the Agents of the Colored Co-operative Publishing Company, by Alisha Knight
April C. Logan, Salisbury University