26 December 1819 – 30 June 1899
Photographer: Rice, Washington, D.C. Date: about 1876 Occasion: new haircut Source: The Schlesinger Library, Radcliffe Institute, Harvard University Permissions: http://www.radcliffe.edu/schles/
Notice: Image is shown by permission of source. To use this image in your project, please contact the indicated source. Do not cite this page as the origin of this image.
Library of Congress, Manuscript Division (letter) (http://www.loc.gov/rr/mss/)
Carpenter, Lynette. “Double Talk: The Power and Glory of Paradox in E.D.E.N. Southworth’s The Hidden Hand.” Legacy 10.1 (1993): 17-30.
Coultrap-McQuin, Susan. “Review of E. D. E. N. Southworth’s The Hidden Hand or, Capitola the Madcap.” Legacy 5.2 (1988): 70-71.
Elliott, Mary. “When Girls Will Be Boys: ‘Bad’ Endings and Subversive Middles in Nineteenth-Century Tomboy Narratives and Twentieth-Century Lesbian Pulp Novels.” Legacy 15.1 (1998): 92-97. [GW] [LION]
Harris, Susan K. “The House that Hagar Built: Houses and Heroines in E.D.E.N. Southworth’s The Deserted Wife.” Legacy 4.2 (1987): 17-30.
Jones, Paul Christian. “‘I put my fingers around my throat and squeezed it, to know how it feels’: Antigallows Sentimentalism and E. D. E. N. Southworth’s The Hidden Hand.” Legacy 25.1 (2008): 41-61. [MUSE] [LION]
Jones, Anne Goodwyn. “Review of Mary Kelley’s Private Woman, Public Stage: Literary Domesticity in Nineteenth Century America.” Legacy 2.2 (1985): 74-75.
Sofer, Naomi Z. “Review of Deborah Barker’s Aesthetics and Gender in American Literature: Portraits of the Woman Artist and Linda M. Grasso’s The Artistry of Anger: Black and White Women’s Literature in America, 1820-1860.” Legacy 20.1 (2003): 211-12. [GW] [LION]