Current Issue

Volume 34, No. 2 2017

Editor’s Note, Susan Tomlinson


Hidden in Plain Sight: Uncovering the Career of Lucretia Howe Newman Coleman

Jennifer Harris, University of Waterloo

Word Become Flesh: Literacy, Anti-literacy, and Illiteracy in Uncle Tom’s Cabin

Faye Halpern, University of Calgary

States of Innocence: Harriet Beecher Stowe, London Needlewomen, and the New England Novel

Gretchen Murphy, University of Texas at Austin

Creating a “Democratic Neighborhood” through Poetic Exchange: Lucy Larcom’s An Idyl of Work

Robin Rudy Smith, University of North Carolina at Chapel Hill

Dingbat tiny

Legacy Profile

The Girl Reporter in Fact and Fiction: Miriam Michelson’s New Woman and Periodical Culture in the Progressive Era

Lori Harrison-Kahan and Karen E. H. Skinazi

The Milpitas Maiden: A Story of Some Women’s Rights and Others’ Sufferance

Miriam Michelson

The Real New Woman. Miriam Michelson Likens Her to a Pleasant Dream, Not a Nightmare 

Miriam Michelson

Dingbat tiny

Legacy Reprint

The Building of a Reformer: Mary Livermore’s Poetic Involvement in the Anti-gallows Campaign of the 1840s

Birte Christ

Orrin de Wolf

Mary Livermore

The Conqueror and the Murderer

Mary Livermore

Dingbat tiny

Review Essay

Consuming Dickinson 

Alexandra Socarides

Dingbat tiny

Website Reviews

Memorable Days: The Emilie Davis Diaries, directed by Judith Giesberg

Desirée Henderson

Susan Warner’s The Wide, Wide Worlddirected by Jessica DeSpain, Jennifer Brady, Melissa White, and Jill Kristen Anderson

Brenda Glascott

Dingbat tiny

Book Reviews

Female Piety and the Invention of American Puritanism, by Bryce Traister

Ashley Reed

Civil War Nurse Narratives, 1863-1870, by Daneen Wardrop

Thomas Lawrence Long

Archives of Desire: The Queer Historical Work of New England Regionalism, by J. Samaine Lockwood

Travis M. Foster

Becoming Sui Sin Far: Early Fiction, Journalism, and Travel Writing by Edith Maude Eaton, edited by Mary Chapman

Hsuan L. Hsu

Dingbat tiny


Leave a Reply

Please log in using one of these methods to post your comment: Logo

You are commenting using your account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s